This listing is for an Arri Alexa Classic camera. I'm afraid that this camera requires quite a bit of prep before it goes out and is therefore only available with a minimum 2 day rental period. Sorry! The ALEXA ALEV III (28.17×18.13mm) sensor has a pixel size of .00825mm, and even today, more than seven years after it was first announced is still considered one of the best sensors on the market. Although the science behind the performance of the sensor is complex, the use of large photosites and a Dual Gain Architecture are its two main principles. The Dual Gain Architecture simultaneously provides two separate read-out paths from each pixel with different amplification. The first path contains the regular, highly amplified signal. The second path contains a signal with lower amplification, to capture the information that is clipped in the first path. Both paths feed into the camera’s A/D converters, delivering a 14-bit image for each path. These images are then combined into a single 16-bit high dynamic range image. This method enhances low light performance and prevents the highlights from being clipped, thereby significantly extending the dynamic range of the image. The ALEV III sensor is also larger than a Super 35 frame, this is so users can see 10 percent beyond the edges of the recorded frame. This is crucial if you wish to see what is going to enter into the frame. At the time this functionality was only available to optical viewfinders and was unheard of in any type of electronic viewfinder. All science aside, Arri cameras are used on the majority of movie sets & episodic TV worldwide with good reason..........formidable reliability and superlative picture quality! This was the camera that director Sam Mendes and cinematographer Roger Deakins chose for OO7's first digital outing. In 2012 Skyfall became the first Bond movie in the series to be acquired digitally on Arri's Alexa. This particular Alexa is a very low hours, pristine condition model. It assumes the renter will provide all the power, media, & grip required to work with this camera. If you require batteries, AC supply, SxS cards, Lenses, Raw recorder or Tripod with this camera please message me for a custom quote. A 64Gb card will record approx 1hr ProRes422 1080p 25fps. see link below for other record times. https://tools.arri.com/fileadmin/adapps/afdc/index.html Specs.... 35 format ALEV III CMOS sensor 16:9 active sensor area 14+ stops Exposure Latitude 1920 x 1080 pixels (16:9 HD) 2048 x 1152 pixels (16:9 2K) 2880 x 1620 pixels (16:9 ARRIRAW) Note: requires recorder ProRes or DNxHD recording to SxS PRO or SxS PRO+ cards Frame rate: 0.75 – 120 fps up to ProRes 422 HQ with High Speed licence key which is inc) True base sensitivity of EI 800 (adjustable from EI 160 to EI 3200) 16 bit linear internal image processing Arri Alexa PL mount The camera package includes....... Alexa Classic Camera Alexa Viewfinder Anton Bauer or V-lock Battery plate Centre handle 3 Pin XLR To Fischer 2 pin power cable Shoulder pad XLR tails for connection to an audio mixer. Aluminium flight case For mounting to a tripod I can supply either a Sony VCT 14 config or a 19mm Bridge plate set up. Please specify which you require when ordering. Despite it's technology the Arri Alexa is actually one of the easiest digital cinema cameras to operate with a simple and intuitive user interface. However, If you wish to familiarise yourself with the operational menus of this camera before hiring then Arri provides a very useful simulator on their web site.